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In Girolamo Mei: A Belated Humanist and Premature Aesthetician， Tsugami Eske discusses Mei， a sixteenth-century Italian scholar， as an independent thinker. While previous studies have generally treated him in connection with the birth of opera， this book examines his writings concerning the ancient theory of musical modality and the performance style of Greek tragedy in both their content and the historical perspective. Based also on analyses of Mei’s epigram De Phyllide and classification of the arts， Tsugami reveals him to have been inclined to declining humanism as well as emerging aesthetics.

目次

Contents

Preface

Part I　THE ANCIENT THEORY OF THE MODES AND MEI'S IDEAL OF MUSIC

Chapter 1 Mei's Interpretation of the Ptolemaic Tonos System
　1.1. Ptolemy's system of the tonoi
　1.2. Mei's interpretation

Chapter 2　From the Theory of Music to the Aesthetics of Music
　2.1. Mei's view of ancient music
　2.2. Music's autonomous power of expressing emotions

Chapter 3　Music's Expressivity and Criticism of Polyphony
　3.1. Three arguments against polyphony
　3.2. Mei's thought compared with his contemporaries
　3.3. Music's expressivity and drama

Chapter 4　Introducing Alypius' System of Musical Notation
　4.1. Alypius and Mei
　4.2. Agreements and disagreements

Part II　THE PERFORMANCE OF ANCIENT TRAGEDY， AS RECONSTRUCTED FROM THE ARISTOTELIAN POETICS

Chapter 5　The Interpretations of the Poetics before Mei
　5.1. The current standard interpretation of the means of poetry
　5.2. The manuscript transmission of t　ほか

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